Category Archives: Mystery

Left Coast Crime Reads, Part 1

Left Coast Crime provided new spring reads. Loads of fun, face-to-face, and too many books to read in lifetime. Here are my picks from LCC 2022.
Loads of fun, face-to-face, and too many books to read in lifetime. Here are my picks from LCC 2022.

After Left Coast Crime San Diego shut down on March 11th 2020,  and we attendees had to go home before  participating on our panels, it was bliss to attend this year’s conference live and in person in Albuquerque. I decided to make the most of the events, including the panel I moderated titled, When Bad *** Finds Your Protagonist on the topic of amateur sleuths. 

“Making the most” meant, for me, reading at least one of each panelist’s books before the event, and in a couple of cases, reading two. I turned off the TV at the end of my work day for the month of March and instead, lost myself getting to know new  protagonists and several new-to-me authors. 

My panel featured my “sibling” from Sisters in Crime Norcal, vice president Glenda Carroll (find a review of Dead Code here), Connie di Marco, Peggy Rothschild and Linda Sands. Each author featured an amateur sleuth and each delighted me with a unique  and entertaining twist on the genre. 

If you want to find Glenda Carroll , she’ll be in, on, or under water—and writing about it. She understands water sports on a very personal level since she swims, surfs and sails. Her books, debut Dead in the WaterDrop Dead Red, and the newest, Dead Code, are based on personal experience in open water swimming.  She’s raced in more than 150 open water events in Northern California, as well as Hawaii and Perth, Australia.

Open Water Swim

Glenda has written a weekly sailing column and a twice-weekly surfing column as well as feature articles for local, national and international sailing publications.  She branched into travel writing and her features have appeared in the San Francisco Chronicle, Travel & Leisure, Ford Times, Chevron USA, Defenders of Wildlife, and Bay & Delta Yachtsman. Currently, Glenda tutors high school students in English and writes the Trisha Carson mystery series.  

When I reached out to the panelists  to organize our event, Connie di Marco enthusiastically jumped in with information, suggestions, great panel questions and tons of good humor. Connie still recalls the first time she saw an astrological chart. She says she felt as though she’d been granted a peek at a key to unlock the secrets of the universe. She didn’t know what the arcane symbols meant, but knew she wanted to learn a lot more. “An astrological chart, like a good mystery, is a puzzle that begs to be solved.” And so Julia Bonatti, San Francisco aslotroger, was born. 

Although Di Marco’s latest book is the fourth in the series, Serpent’s Doom A Zodiac Mystery, I prefer to start a series with book 1 to observe the  protagonist’s arc of change and have the stage set for  books to come.  If I’m hooked on book one, I’m sure to become a fan! And The Madness of  Mercury had me from page one. Maybe it’s because Mercury seems to be going retrograde every month this year, or maybe because the story is based out of the true events of the 1970 Jim Jones cult based in San Francisco. Or maybe because Julia Bonatti is a truly likable character—smart, caring, loyal, spunky and determined. 

During  a Mercury retrograde, Julia is targeted by a cult leader and his followers whose protesting and vandalism force her and her cat from their cozy apartment in San Francisco’s Avenues. She flees to the Telegraph Hill home of an astrology client who cares for her two elderly aunts. One of the aunts might suffer from dementia and the other has fallen under the spell of the Reverend Roy. To add to the confusion, a young man appears on the doorstep, claiming to be a long-lost relative. Julia tries to sort out the Mercury retrograde mess through astrology. She knows Mercury wasn’t only the Gods’ messenger. He was a liar and trickster too, and she’s forced to put aside her charts and put her boots to the ground to rescue the aunt and stop an insidious, evil plot. 

The Madness of Mercury has everything! It’s well written, intricately plotted with twists and turns aplenty, and paced to perfection. One reviewer  says,  “As a traditional mystery the book is stellar. The Madness of Mercury takes a fascinating look at people and their inner workings, their motivations. It is a complex mystery which combines astrology and cult mentality, showing what can happen when divergent beliefs cross paths an intolerance rears its ugly head.” I highly recommend the Zodiac Mystery series. I was entertained, edified and enthralled! If you’re not into astrology, you might change your mind. 

When A Deadly Bone to Pick protagonist, Molly Madison, makes her cross country move to Pier Point, CA with the only friend she has in town is her golden retriever, Harlow. Author Peggy Rothschild knows exactly what Molly is going through. But unlike Molly, Peggy didn’t flee her hometown to avoid rumors about involvement in a crime. She lost her home to a wildfire in 2017 and, after going through a years-long rebuilding process, she moved back to her old address only to decide she was ready for a change. Peggy didn’t move across country so still sees old friends, unlike Molly who must make new friends. Both author and character cherish all the new friends they’ve met along the way, even if Molly is more at ease with pups than people.


Ex-police officer and former P.I. Molly Madison is starting over. After the murder of her husband, she and her golden retriever move cross-country to California. But as charming and peaceful as the beachside town seems, she soon learns its tranquil tides hold dark secrets.

Molly is barely through the  front door of her new home when a huge, slobbering Saint Berdoodle stops by for a visit. The dog belongs to a neighbor, a handsome over-worked emergency room doctor. Molly winds up taking on the responsibility of training Noodle from the too busy doctor. On one of their daily beachside walks, Noodle digs up a severed hand. Once Molly alerts the police and they run a background check on her, her past makes her an immediate suspect. Too bad Noodle’s testimony to clear her name won’t hold much water in court. 

Meanwhile, her realtor posts fliers around town for Molly’s dog training service and she’s approached by an eight-year-old math prodigy from the neighborhood whose dog desperately needs training—and her first local human friendship begins, but when Molly finds the mother drugged and neglecting the child, a secret is revealed. At the same time, the realtor is killed and Noodle sniffs out a ring buried in the sand near where he found the severed hand. Molly is again in the police’s sights but her police background won’t let her leave the case alone, and she investigates. After all, she must clear her name.

I listened to the audiobook and found A Deadly Bone to Pick to be a perfect match for both dog lovers and mystery buffs. And being the first book, it’s a charming and intriguing start to what I hope is a successful series. Molly is instantly likeable—your heart goes to her when you learn her backstory. Rothschild’s descriptive style is flawless and the mystery is surprising and believable. It’s been compared to Sue Grafton’s Kinsey Millhone series. High praise indeed. 

Peggy Rothschild presents a cast of engaging and quirky characters who I want to meet—especially the dogs. She sure knows her canines! Jennifer Chow (another author I met at LCC—a review of her Mimi Lee Gest a Clue coming in a future post) describes the book as “Rothschild’s twisty mystery, filled with adorable canines and abundant clues, is plain paw-some.” I totally agree. The only drawback to reading A Deadly Bone to Pick was how much it made me miss my cherished chocolate lab long gone to the celestial bone pile. Dog lovers, this one’s for you!

My panel and I connected in our hotel bar the evening before our  event, and imagine my surprise when I met Linda Sands, a sophisticated, willowy blonde in a LBD and killer heels. I’d pictured someone entirely different after listening to the audiobook of the first title in the Cargo Series featuring Jojo Boudreaux. Why? Because Jojo is a trucker and the quintessential kick-ass protagonist—“bad shit” finds her, she can’t help it. She’s fearless and funny with an insanely strong sense of justice and is nobody’s idea of an “uptown girl.” But looks are deceiving, Linda Sands is more like Jojo than she appeared in the Atrium. She’s fearless, taking a public stand against human trafficking (Cargo Series  #2), and a writer I’m going to watch (and read!) 

“Jojo Boudreaux and her co-driver beau Tyler Boone spend their days- and nights- delivering cargo coast to coast. Old Blue, their custom Peterbilt tractor-trailer makes the perfect home for a man who never had one and a Louisiana tomboy who thinks an oven is for storing guns. But life on the road isn’t all sing-a-longs and sunsets.” 

The plot kicks into gear when Jojo and Boone are called in to deliver an abandoned load of high-profile pharmaceuticals to a secure warehouse, and their planned vacation is garaged for the quick, easy job with the big paycheck. The “paycheck” comes in the form of a mysterious accident that kills Boone and  brings in private investigator Gator, with some information to encourage Jojo to help him look into what might be a murder.


Grand Theft Cargo is described as “a wild ride from start to finish with a secretive highwayman, explosive house bombs, singing telegrams, flaming mice, secret cancer drugs, dead truckers, an agency that can’t be named, and enough crashes and car chases to remind you these road cowboys have no qualms crossing the zipper to walk the dog in the hammer lane.” For readers  in the know, Sand’s facts ring true. And for the rest of us, this is a glimpse, at times humorous, into the world of trucking via sharp-witted dialog through a cast of vivid characters (Charlene, the dispatcher!) The pacing is energetic, and the plot full of curves as the story speeds along like Sabrina, Jojo’s new rig after Old Blue is wrecked. 

Grand Theft Cargo is one of the most original mysteries I’ve read. I can’t say it any better:  “Strap yourself in before you start to read this one.”;  “a high-speed thrill ride with enough crashes and explosions to keep your heart racing from the first to last page!”; “Grand Theft Cargo is east bound and down with great characters, loaded up and truckin’ with action. This is 18 wheels of mystery firing on all cylinders. Get behind the wheel and enjoy the ride.”

And with a line up like this? How could our amateur sleuth panel event not be standing room only?

Next time at LCC Reads Part 2 , Gregory C. Randall, Jennifer Chow, and Dominic Martell

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Filed under kickass female protagonists, Mystery, Reviews

Stain on the Soul

If you haven’t read Michele Drier’s books, you should. She’s got something for everybody—even a fan club! She writes mysteries; her corpus includes a standalone psychological thriller, and she’s written a series of  (so far) ten paranormal romances—The Kandesky Vampire Chronicles. That’s where I tuned in, with volume 1, Snap: The World Unfolds, after I met her at a Left Coast Crime* conference in 2014. What an introduction to paranormal romance! I couldn’t put it down. But I invited Michele to Building a Better Story today to talk about the first in her new series, Stain on the Soul   A Stained Glass Mystery.

Michele dubs the book a “dark cozy” for the fact it  uses little  eroticism, violence or profanity, and surrounds a “current moral issue.” As with all of her books, her themes are important and disturbing. In Stain on the Soul, Michele explores themes of homosexuality, pornography, abuse and pedophilia and the cover-ups of pedophilia within the Catholic church. Dark indeed.

The book is set against the backdrop of quiet, seaside Hamilton on the Oregon coast ,where protagonist Roz Duke, has moved after the unsolved murder of her husband, Winston. Roz is an internationally renowned  stained glass artist working on an installation for a Catholic church, and plans to “use the beach, scoured by wind and water, to cleanse her soul and rebuild her creativity” after the senseless drive by shooting. Of course, her best intentions are shattered by emergency vehicles sirens and watching her neighbor’s body being taken away. The neighbor has been stabbed by one of her custom glass knives. She joins the Neighborhood Watch group, which introduces  her to journalist Liam Karshner. Liam and the act of the murder are Roz’s entree into Hamilton’s small town life of gossip at the diner, friendly police and odd neighbors.

Roz and Liam have different reasons to want to solve the  murder, but they form a team as their friendship  grows through shared confidences. As the disturbing truths are revealed, Roz uses her rescued Greyhound, Tut, the dunes, and sunsets from her porch as refuge from her grief and troubles as the wind and surf comb her mind to untangle the truth of her neighbor’s and her husband’s deaths.

I have to agree with one reviewer who describes the book as “authentic, not contrived.” It’s the characters who bring authenticity. Both Roz and Liam are well crafted and well-rounded. They have strengths, weaknesses, biases and secrets. Secondary characters such as busybody Patsy and Police Chief Giffen ring true to their purposes within the story as well. I believed  each character, down to the former priest living across the street and the retired fisherman and town drunk, Clarence.

As far as far plot goes—OMG! I was hooked from the start and didn’t see  the ending for the tight twists and turns throughout. Stain on the Soul reminds me of a Jane Marple mystery: quiet village on the surface, dastardly deeds underneath and way too many denizens with secrets. Not surprising, in an interview, Michele lists  classic British mystery writers—Christie, Sayers, March, as well as contemporary authors,  French, Atkinson and Sanford as favorites. The book appears to move slowly on the surface (Life in St. Mary Mead!) as Roz sifts who is innocent (Liam?) and who is out to get her, but it’s  a deception of the smooth dialog and calming nature of the setting. A lot is happening, and Roz has to work it out before she’s the next casualty

Just to let you know, Roz lives to investigate another crime. Michele says, “I’m half-way through the second book in the Stained Glass Mysteries, have a third one plotted, have another two plots for the Newspaper Mysteries, at least one more of the Kandesky Vampire and two more standalones (at least as this point, though they may turn into series). After Bouchercon, I’m going back to writing two or three books a year.” And with the pandemic, Bouchercon 2020 scheduled for Sacramento has been closed down for in-person attendance., but registration for Virtual Bouchercon October 16 & 17 is now open. Check it out: https://www.bouchercon2020.org.

Roz Duke is “already well into her next adventure on the south coast of Kent, England where she runs afoul of international art thieves.” Internationally renowned stained glass artist Roz Duke takes on a challenge—recreate part of the medieval masterpiece, the Bayeux Tapestry, a needlework done in the eleventh century to commemorate the Normal Conquest of England. While spending a sabbatical in Kent, staying near the site of the Battle of Hastings which changed England forever, she stumbles across a body in an ancient church, starting a journey of international intrigue and danger. Steeped in history, she finds this part of England has plenty of contemporary terror. (And you’ve still got time to read Stain on the Soul.)

LOOK FOR TAPESTRY OF TEARS AT THE END OF SEPTEMBER! 

Michele’s tips for emerging writers:

“Read, read, read. Know the language. Understand the basics of grammar. Know how to tell a compelling story. And show not tell. And read, read, read.” She reads anything she can get her hands on, especially crime genres, Nobel, Booker and Pulitzer lists. And, of course, books recommended by friends.

Autobiography
“I was born in Santa Cruz, California to a family that migrated west to San Francisco in 1849. Unfortunately, they never found gold, nor did they buy (and hang onto) any California land. My mother named me Michael, after author and actress Blanche Oelrichs, who wrote under the name of Michael Strange. After months of saying, “Yes, she’s a girl. Yes, her name is Michael,” my mother finally caved and I became “Michele.”

I was read to as a child, and needed always to have a book with me. My maternal grandmother belonged to a writing club in San Francisco in the early part of the 20th century and wrote poems and jingles–one of which won her a travel trailer during the Depression.

I’ve lived in San Francisco, the Bay Area, the Central Valley, the Sierra, Southern California and the North Coast.

My first career was in journalism, and I spent seven years as a staff writer with the San Jose Mercury News. After returning to Humboldt State University to complete school and work on a master’s, I fell into my second career, as a non-profit administrator, including a legal organization serving roughly 10,000 senior citizens in Alameda County. I’m a member of the Society of California Pioneers and Sisters in Crime and live in California’s Central Valley with a cat, skunks, wild turkeys and an opossum (only the cat gets to come in the house).”

Fun facts: She started college as a chemistry major and if she could re-do it, she’d be an anthropologist. Or maybe take up closed circuit sports car racing again? She used to drive in time trials.

Find Michele Drier at  MicheleDrierAuthor.com. Her Amazon author page lists all her books.

Michele’s twitter handle is @MicheleDrier . Please drop her an email or comment at mjdrier@gmail.com or her Facebook page www.facebook.com/michele.drier.

 

Editor’s notes: I’m hoping if you read and enjoy Stain on the Soul as much as I have, you’ll generously leave a review wherever you bought your copy and on Goodreads or  a readers site of your preference.

*And if you’re a crime reader—fiction or non-fiction— Left Coast Crime  is a wonderful way  for writers and fans to meet each other and share what’s new, what’s trending and what might be to come in our world in a friendly, intimate conference. I’m betting Michele will be there in 2022!

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The Child Garden

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In 1965 I read  a book about Summerhill School, a British boarding  school for boys and girls founded in 1921 by Alexander Sutherland Neill, while I boarded at Castilleja School in Palo Alto. Summerhill was everything I longed for in a school and everything my school was not. It had been founded on the  belief that the school should be made to fit the child, rather than the other way around. Happiness was foremost. Members of the school community were free to do as they pleased, so long as their actions did not cause any harm to others. This included  freedom for pupils to choose which lessons, if any, they attended. I thought it sounded like the perfect hippie school.

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It wasn’t that I didn’t like my studies, I did (except chemistry), but Castilleja’s buildings enclosed central gardens, sporting greens and pool, turning the site into a prison, complete with pleated skirt and white middy blouse uniforms. Students were controlled and scheduled at all times, and even the tiniest infraction would cause  loss of  weekend off-campus privileges. I hated it. I was too much a free spirit and nature lover to thrive there. An no boys. I yearned for Summerhill.

0005-1I just finished The Child Garden, and found myself reading about Summerhill School gone wrong. It’s called Eden School in the book. Maybe my parents had known what they were doing after all.

The dust cover flap reads: Eden was its name. “An alternative school for happy children.” But it closed in disgrace after a student’s suicide. Now it’s a care home, the grounds neglected and overgrown. Gloria Harkness is its only neighbor, staying close to her son who lives in the home, lighting up her life and breaking her heart each day.

When a childhood friend turns up at her door, Gloria doesn’t hesitate before asking him in. He claims a girl from Eden is stalking him and has goaded him into meeting near the site of the suicide. Only then, the dead begin to speak—it was murder, they say.

Gloria is in over her head before she can help it. Her loneliness, her loyalty, and her all-consuming love for her son lead her into the heart of a dark secret that threatens everything she lives for.

I was hooked by the Gothic looking cover and again by the prologue. Something had happened in 1985 and it was “time to think fast and get it right. Time to make sure only one life ended” that night.

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The story opens with a glimpse of Gloria Harkness in her job at the registry office then with her ancient blind friend, Miss Drumm, and severely disabled son, Nicky, at their care home, the former site of Eden School. Status Quo. Gloria’s days revolved around the job, caring for Nicky and maintaining Miss Drumm’s cottage, Rough House, and her old dog, Walter Scott. (One of her duties as caretaker of the property was to rock the Devil’s stone in the yard of Rough House.) By the end of the visit, a storm had kicked up, puddles deep and visibility was difficult on the deserted  road, twisting through the ten miles of countryside between the home and the cottage. Blinded by headlights, Gloria averts an accident and shakily continues toward home, but the car turns and follows her. Her cell phone has no bars. Locked into Rough House, she knows he’s out there with his lights turned off, but the comfort of Walter Scott and the cats calm her until Gloria hears a sound.

images.jpegIt turns out to be Steven “Stig” Tarrant, an old school chum Gloria had a crush on way back, and he’s in trouble. He’s being stalked by April Cowan, a classmate from Eden. Can Gloria help him?

Little by little Stig reveals the events of that Beltane night in 1985 at Eden School. Gloria is intrigued and feels loyal to an old friend, says she’ll help. They find April’s body and learn Stig is being set up  to take the blame. Gloria, in between registering the county births and deaths, marriages and divorces, caring for Nicky, Miss Drumm, the cottage and the pets, takes on the responsibility to  investigate April’s death and exonerate Stig.

The investigation leads her one-by-one to each of the 15 people who were present at Eden School the night “Mo-ped” died. Most of them are dead, allegedly by freak accident or suicide. Her investigation leads her to both Stig’s father, the founder of Eden School, and her own divorced husband Duggie. The twists, turns, reversals and reveals are brilliant, and the ending is not one that anyone would figure out early on, but makes perfect sick sense when Gloria figures it out.

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This mystery/cold case/thriller with a little horror suspense thrown in, contains a great setting, believable characters—the vignettes of the ex-Eden children are excellent sketches of their varying, mostly sad, lives—and, especially in the final few chapters, a rising tension that will keep you awake.

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Scottish by birth, McPherson has set the book in a small village near Galloway and it’s surrounding countryside. The care home property is a former grand home on an estate with a chapel, a devil’s bridge and a crypt. While the slightly archaic sounding and richly detailed descriptions are Scottish, the feel is decidedly Gothic. Gloria creeps around spooky places through dark and storm; I tensed up at   every twig snap, door slam, approach of creepy character. If you want atmosphere, this book’s got it!

shoppingMcPherson weaves a dark tapestry through vivid, authentic  detail and sharp,  emotionally complex characterization. The sprinkling of Scottishisms and language deepen the flavor to a malted blend of wood, fire, dirt, rubber, leather and the  devil. McPherson’s  inclusion of  ancient folklore:  Devil’s Bridges, hallowed places and rocking stones, lead us to believe it’s not the first time this place has been visited by evil. The death of the boy , the pattern of subsequent deaths, and the folk tales coalesce as Gloria gathers the fragments of truth to unmask the killer.

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I loved everything about this book. It’s cautious pace to start, the unique characters, the shadowed events, the heart quickening suspense, the surprise ending. If you’re looking for a good Halloween-time read, this shadowy, dark mystery will be perfect.

 

 

 

What people are saying about The Child Garden:

A tale that shivers with suspense.”—The New York Times

“A terrific stand-alone that is complex, haunting, and magical.”—Library Journal (Starred Review)

“A stunning combination of creepy thriller and classic mystery.”—Kirkus Reviews (Starred Review)

“One surprising plot twist after another leads to a shocking ending.”—Publishers Weekly

“Catriona McPherson spins webs of intrigue so beautiful and intricate she puts spiders to shame. With The Child Garden, she once again proves why she has rapidly become a star in the thriller genre…This is a book you will absolutely devour.”—William Kent Krueger, New York Timesbestselling and Edgar Award-Winning Author of Ordinary Grace

“An enchanting brew of mystery, poetry, legends, and dreams, Catriona McPherson’s The Child Garden is also an elaborate shell game that will keep readers guessing up until the very end.”—Hallie Ephron, New York TimesBestselling Author of Night Night, Sleep Tight

THE CHILD GARDEN is a scrumptious Scottish noir delight, jam packed with isolation, scenery, old secrets full of lust and greed, jealousy, bullying, and cruelty. The protagonist, Gloria, is an incredible heroine, an individual for whom the Universe seems to have been against from the beginning-yet she found her North Star and held to that anchor through the worst. A dedicated mother, friend, and in terms of animals and her task of care with the Rocking Stone, an earth mother–the kind of person once termed “salt of the earth.” The mystery–twenty-eight years old, but newly erupting in the present day–is cunningly revealed, a matter of smoke and mirrors, now you see it, now you don’t–and the revelation is incredible. Readers, we have here a true Best of 2015.   ~Reader on GoodReads

Contact Catriona:

https://www.facebook.com/Catriona-McPherson-171725286218342/

CatrionaMcPherson@gmail.com

 

Bio

I was born in Edinburgh and lived there, in Ayrshire, in Dumfriesshire and in Galloway before moving to California in 2010. I don’t know how they did it, those early emigrants who set off forever from Leith docks. I’m back home every year for a couple of months and I still can’t watch Burnistoun without sobbing.

A born swot, I finally left school at age thirty with a PhD in linguistics from Edinburgh University. Proper jobs have included banking (hopeless), library work in local studies and fine art (marvellous), and a short burst of academia (miserable). I’m now a full-time writer and hope never to have a proper job again.

When not writing, I’m reading, gardening, cooking and baking, cycling in Davis, running through walnut orchards, getting to grips with this outlandish and enormous country (43 states visited so far!) and practising an extreme form of Scotch thrift*, from eating home-grown food to dumpster-diving/skip-surfing for major appliances.

*when “making a living” as a writer, thrift helps a lot.

 

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Fanny Newcomb and the Irish Channel Ripper

 

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Fanny Newcomb, the plucky heroine of Fanny Newcomb and the Irish Channel Ripper, is a woman ahead of her age and from the first sentence, I knew Fanny was my kind of girl.

shoppingThe story opens on a Friday in April, 1889. Fanny is battling with a Hammond typewriting machine and “all hell would break loose” if she hadn’t mastered it by the time her typing students arrived the following Wednesday. Fanny had managed her Father’s law office for a decade but she’d never seen a typewriter before, something she’d failed to mention to her employer, Sylvia Giddings, Principal and Founder of Wisdom Hall Settlement House, at the interview. When her father died, Fanny lost her livelihood, failed as a lady’s companion and run out of resources. The school, located in the impoverished Irish district of New Orleans, offered business classes to the local women and appealed to Fanny’s sense of justice. And besides, teaching was better than marrying and being relegated to home, hearth and afternoon tea with New Orleans society ladies. A life without meaningful work is anathema to Fanny.

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Hull House

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Fanny is distracted by the incessant ringing of the infirmary bell and rushes to find twelve-year-old Liam who delivers the news: Dr. Olive Giddings, Sylvia’s sister, is needed at Connor’s Court because someone has been murdered. The women race to the scene and find Nora, Fanny’s star business student, strangled and meet Charity Hospital’s ambulance driver, a doctor whose manner horrifies Olive. As the crowd gathers, rumors start and soon the cry goes out, “Jesus! Joseph and Mary! It’s Jack the Ripper! Here in New Orleans!” The morning edition of the Daily Picayune echoes the crowd at the scene, reporting the woman has had her throat cut. The police don’t think it’s Jack the Ripper and come to Wisdom Hall Settlement House to arrest Sylvia’s carpenter, Karl, for the murder. Fanny knows Karl was working at the school at the time of the murder, added incentive to investigate the crime. She enlists Sylvia and Olive, Liam, beau Lawrence Decatur, tabloid journalist Clarence Holloway and even N.O. Police detective Daniel Crenshaw to help her identify the killer, free Karl and bring Nora the justice she deserves.

 

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Unknown-6Fanny’s investigation reveals more than a murderer. It takes readers through the colorful underbelly of New Orleans’s slums, saloons, prostitution and houses of prostitution. Revealed are the gulfs between the “haves” and “have nots”, the deep prejudices the Irish and German immigrants held for each other and the ingrained racism of white against black, regardless of social standing. Revealed is the rigid class system, hatred of immigrants, lack of concern for the poor and the blatant systems keeping them from rising in station.

 

The story is a fascinating look into the Gilded Age’s society, its hierarchies and mores. Women were at the bottom and unmarried women the lowest. Fanny questions her own motives and place in the world. Should she marry? Should she strive for independence? Fanny, Sylvia and Olive are spinsters and meddling in men’s work: schools, medicine, investigations. Society thwarts them at every turn. They are shunned, ridiculed, patronized and harangued by a priest as “bad women” on par with prostitutes for being unmarried and working, and like prostitutes, deserving of horrific deaths. In this intolerant and compassionless climate, it’s no wonder a wave of terror overtakes the city. Fanny, Sylvia and Olive want to exonerate Karl, but more, they fight the battle against ignorance and oppression for poor women and for their society as a whole. They are early social justice crusaders patterned after British Beatrice Webb, Americans Jane Addams and Ellen Gates Star, and Progressive Era pioneers Eleanor McMain, Eliza Nicholson and Sara Mayo.

At the end, Daniel Crenshaw is lauded as the hero to solve the case although it couldn’t have been done without Fanny and the Giddings sisters. Fanny understood that “Certainly, no one would have believed that Fanny, Sylvia, and Olive could have interjected themselves into a grisly murder, studied pornography, or visited a whorehouse and a prison. No lady could have attempted any of those social offences.”

Although author Ana Brazil’s historical detail is well researched and rich, at no time does her writing become didactic or does history drown-out the suspense and intrigue. Fanny is a risk taker and has a gift for theft. She manages to steal important documents that help her win the respect of her allies and solve the case. Between the three women of Wisdom Hall Settlement House, they bring most of the resources they need—Fanny’s clever, intelligent mind and legal training, Olive’s deep knowledge of the human body and medicine, and Sylvia’s connections and social standing—to solve the case. Each has something to offer, but it’s Fanny who has the mental acuity to see the patterns and put them together, leading her into extreme dangers. My pulse pounded during the story’s harrowing climax (no spoilers!)

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At the end, Brazil leaves readers with hope that there will be another Fanny Newcomb book. “But Fanny Newcomb also knew that she was not finished with investigating or questioning or detecting. And that she would look for any opportunity to seek out justice again. . . .” And what was that frisson I noticed between Fanny and Daniel Crenshaw? I can’t wait for the next adventure to see if Fanny will cave to societal expectations or forge ahead doing what she loves.

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anapat_1505963276_75I want to wish Ana Brazil hearty congratulations on the publication of her first historical novel. It’s a fun, fast, informative, can’t-put-it-down read for anyone who loves New Orleans, the Gilded Age, strong women protagonists, mysteries and the Southern writing tradition. I love them all!

For a photographic exploration of Fanny’s time visit Ana’s Pinterest Board: Fanny Newcomb and the Irish Channel Ripper

 

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A Life for a Life

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A few years ago, my sister-in-law retired, leaving her urban lifestyle and moving to a cozy cottage in Warrensville, North Caroline on the edge of the Great Smokey Mountains. Her tales of the quaint village atmosphere, the surrounding natural beauty, and the restful pace of life lure me to visit. Out of curiosity I started reading about the state, and recently stumbled across A Life for a Life by Lynda McDaniel, journalist and award-winning author of fifteen books. This is her first novel, a cozy murder mystery set in the fictional town of Laurel Falls in the remote mountains of Appalachia.

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Laurel Falls is a town that hasn’t changed much in a hundred years, including the name of Coburn’s General Store even when newcomer Della Kinkaid buys it on a whim after a stay in the Black Mountains. No one could remember why the store was called Coburn’s and no one was going to call it anything else.

o19-700x466Until she decided to buy Coburn’s, Della hadn’t known how much she wanted a change in her life. She was eager to leave her career as a high-profile Washington D.C. reporter, her cheating ex-husband and all the “big city hassles” for the dilapidated store and apartment in a tiny town known for its waterfall and miles of wilderness hiking trails. It was in the woods Della and her dog, Jake, come across the body of a young woman. The woman is a stranger to Laurel Falls and sketchy evidence points the sheriff to think she committed suicide. Della disagrees and turns to an unlikely group of customers and friends, including a forger and her ex, to solve the crime.

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Although Della hasn’t been welcomed into the community, she has made a few friends. First among them is Abit, the fifteen-year-old son of the previous owners of Coburn’s. Abit’s real name is Vester, but because he’s “a bit slow” he received the moniker as a child and it’s stuck. Abit is a character in the vein of Forrest Gump, but unlike Forrest, he is not well accepted by his family or schoolmates. Abit’s father has removed him from school and the boy has little to do but lounge in his chair on the porch of the store and watch the world ignore him as it passes by. Abit recognizes how Della and he are alike, and their friendship deepens as he helps her with the store and solving the murder.

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The story is a cloze puzzle with Della and Abit meting out information in chapters of alternating points of view. The book commences with a prologue where Abit announces, “My life was saved by a murder.” It’s true. Throughout the narrative Abit and Della form a bond, and both characters journey into self-discovery and growth that lift them from “outsider” status. Each brings skills and knowledge to the investigation and life in a closed society that the other lacks. The dual points of view I found an enhancement to the story. I found their interactions with the varied supporting characters, who add to or hinder the work of living in Laurel Falls and finding a murderer, to be believable. They add color and interest to the story, and several, hopefully, will return in the sequel.

The characters and the setting are as much to do with the story as the mystery. Author, Lynda McDaniel’s attention to detail and adroit descriptions allow the reader to step right into Laurel Falls. You can hear the trumpeting call of the pileated woodpecker and feel the mist rising off the waterfall. Drawing from her “back to the land” years in North Carolina, McDaniel has stitched a patchwork of true and fictional events and people into a thoughtful mystery rooted in race, greed power and sorrow. People from McDaniel’s time in Appalachia crop up in A Life for a Life like the cranky laundromat owner, the gentle giant beekeeper who provides Della with honey, the woman who taught McDaniel to make blackberry jam and can tomatoes, Della’s best friend Cleva.

images-8McDaniel’s writing style, while vivid with detail, is deceptively straightforward. She’s not prone to overwrite her scenes or devolve into flowery dialog. She uses authentic sounding dialog and delivers real down-home southern mountain culture in what one reviewer compared to the style of Fannie Flagg. A Life for a Life has also been compared to To Kill a Mockingbird. I agree that both depict southern mores and southern style small-town living, albeit in different eras, well. Both are character driven and back a strong message of forgiveness, redemption and acceptance.Unknown-1

In A Life for a Life, a tragedy becomes the opportunity for two unlikely characters to re-start their lives: Della accepted into the Laurel Falls community and Abit embraced within his family and offered the opportunity he had dreamed of.

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A Life for a Life is one of the most satisfying books I’ve read this year. Everything about the book delighted me. I want to know more about the quirky folks in the mountains and the southern customs. The sense of personal independence, the strong family ties, and the slow-moving and tight-knit community are characteristics I applaud. Lynda McDaniel claims that everything she values today, she learned in her Appalachian home, and she’s written her love and gratitude into A Life for a Life.

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Oink

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I’ve never taught at a university, but I know what schools are like. After I won my MA, I accepted a position as a non-credit teacher at a local community college. Wow! I was stoked—I planned to put all that theory into practice and knew my school would celebrate my work and dedication.

Let’s just say I was delusional. It didn’t take long to discover I was regarded lower in status than that broke second cousin on the doorstep. Like credit staff, non-credit teachers are expected to attend meetings, plan, assess and report but for half the hourly pay. As Alma, a character in Oink, says, “It’s all work, low pay, and no respect.”

It’s always a delight to meet a protagonist that embodies my own values. Emily Addams is a professor of women’s studies at Arbor State University. Founded as an agricultural college in Northern California, it is rapidly shedding its reputation as an easygoing and humane community as the university adopts the worldviews of the corporations funding research into new technologies and cuts funds to the small programs.

A new Vice Provost has come aboard and Emily and her colleagues from the interdisciplinary programs face a difficult and perplexing choice for funding purposes. If they don’t choose, they may lose their programs, but even if they come in under the umbrella of Humanities or Social Sciences, they will have to prove their programs worthy of receiving funds. One way or the other, the warm community built over the years looks doomed. Building community and fighting injustice are important to Emily and she’s spent her career doing both, especially through cooking and eating.

PigBaby1Emily learns that Peter Elliott, a Professor of Plant Biology has been found face down in one of the school’s pigpens, presumably poisoned. The rumor says a group opposing genetically engineered crops is behind the poisoning as Elliott is researching GMO corn and a staunch supporter of Syndicon, the major GMO seed controller. Emily had learned about the GMO issues at a panel on GMOs and wondered, “was it GMOs themselves or the policies of the corporations that produced them— the relentless focus on profit, the resistance to regulation, the absence of concern for harming, or even helping, others… “ that gave GMOs a bad name?

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But Emily has other worries. Forty something with a young daughter and recently divorced, she’s getting into the dating game. As we meet her, she’s worried that her hair-do has flattened (I empathize with that) because she’s meeting mathematics professor Wilmer Crane after work for their first date. Crane tells Emily about finding Elliot in the pigpen clutching a piece of cornbread, which turns out to contain goat cheese and caramelized onions—Emily’s signature recipe.     2077366

Emily is named a suspect and rallies her community with food and camaraderie to investigate what really happened. She learns Elliot was receiving secret corporate funding for his new strain of genetically modified corn, he’d betrayed two of his women students and his highly accomplished wife through his philandering, as well as the Save the Fields organization gunning for him.

Named one of the funniest books coming this spring by BookBub.Com, author J.L. Newton describes the first of the Emily Addams series, “Culminating in a twist as curvy as a pig’s tail, Oink: A Food for Thought Mystery is at once a sly send-up of the corporatized university and a reminder of why community belongs at that heart of human life.” She makes a good case for community and organic food, punctuating her points with delectable recipes at the end of each chapter. Her language is both accessible and intelligent, Emily and her colleagues sound like professors, parents and friends in realistic dialog and witty narration. I appreciated the thoughtful and often humorous look at two important themes, the corporatization of campuses and GMOs.

Newton does not support corporate influenced universities, but she does make a case for the potential for GMO foods to feed the world. Respected scientific societies, including the National Academy of Sciences and thebc2f1ddf99da4c777b98768be883078e_400x400 World Health Organization, have concluded that the GMO crops on the market are safe to eat. Even pundit Michael Pollan said recently the technology itself may not fundamentally pose a greater health threat than other forms of plant breeding. “ I think most of the problems arise from the way we’re choosing to apply it, what we’re using it for, and how we’re framing the problems that it is being used to solve.”

Cozy mystery fans, fans of food novels, and readers concerned with the health of our world and its people will enjoy the twisting plot and the delicious dishes shared throughout the novel. I’m working my way through the recipes and reliving the scenes as I cook. Part of that enjoyment comes through the vivid sense of place Newton has created. At times her description becomes lush and lyrical as she details the flora and fauna, the climate and the bucolic campus.

Emily Addams comes alive on the page. She is intelligent, caring, witty, concerned and a great cook. She connects with people through sincerity and food and doesn’t try to be more than her capabilities. She fears, questions herself, doesn’t give up easily and does what is right. I’m really pleased to find a new voice in Emily Addams who I can both identify with and share a corn and cherry scone!

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Congratulations to J.L. Newton for her debut of what I’m hoping is a long-lived series of Food for Thought Mysteries. Smart, timely, readable but not dumbed-down—“Oink is a celebration of community connected to the joy of food and fellowship.”—Maggie Berg and Barbara K. Seeber, authors of The Slow Professor: Challenging the Culture of Speed in the Academy. Oink is out today.  Pick up your copy at Amazon or your local bookstore. And if you’re local, join J.L. Newton for her launch of Oink In Berkeley.-1

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Dying on the Vine

 

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I didn’t think it could get any better than a wedding in Mexico turned murder mystery, but Marla Cooper has proven me wrong with the second Kelsey McKenna, Destination Wedding Mysteries, Dying on the Vine. This time Kelsey and her intrepid crew solve a crime close to home—the Napa Valley—Wine Country.

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3eaf37254262351bb62495396d14dbaaThe Napa Valley is possibly one of the most beautiful places on earth. I’m lucky enough to drive through it every week to work, and lately the vines have broken into bud, the mustard has begun to bloom and the fruit trees have exploded into clouds of flower. The wineries have put on their party dresses, welcoming the start of tourist season— locals are flocking out to partake of the spring bounty exuberantly sprouting around us.

Even I left my computer to attend a medieval

birthday party at St. Helena’s Castello di Amarosa, a 13th century castle brought over and assembled by the Sattui family, I pictured the disaster if barrels started rolling. Kings, queens, ladies, nuns, even the Pope wouldn’t be safe—I was reading Dying on the Vine at the time.

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Ok, so they don’t wear medieval costume in the book, but danger lurks in the real lives of wedding planners! Kelsey McKenna isn’t coddling a bride in an exotic setting as the story opens; she’s helping out her friend Brody, a wedding photographer, at his booth at the Wine Country Wedding Faire. She isn’t looking for clients, more interested in the cupcakes, but she’s approached by Haley Bennett and Christopher Riegert in a pinch because her father has fired the planner, Babs Norton. Kelsey can’t say no but, as Babs is the “Queen of Wine Country Weddings,” she calls on Babs to smooth the water and collect Babs’ files. Unfortunately, Babs lies dead on her office floor.images-5

 

The wedding planning community is small and buzzing by the time Kelsey attends the funeral. There, she is accused by Babs’ assistant, Stefan, of murdering his boss. Because she found the body, Kelsey’s a person of interest. She will have to clear her name and enlists Brody and her new assistant, Laurel, to help.

Meanwhile, the wedding looms and Kelsey and Laurel don’t know any of the details. Simple things like who is the caterer? Where are the flowers coming from? The couple left everything up to Babs and the file isn’t accessible. Kelsey needs to do some sleuthing just to find out what still needs to be done for the wedding and as she uncovers the plan, she also uncovers secrets that send her down one wrong turn after the next.

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It’s when another planner is attacked that Kelsey starts to fear for her own life, but it’s too late to turn back. The wedding must go on. And in the end, it does, but with that expected Cooper twist!

Cooper has crafted another funny, smart and on trend cozy mystery. This book may be better than the last, pointing to an author who takes her craft seriously. While the Dying on the Vine is often hilarious, Cooper has woven chilling suspense and heart thumping pacing throughout, balanced out with plenty of descriptions and opportunities to slow down and get to know the characters. The twists and turns kept me reading almost all night and the big climax was a total surprise. I didn’t see it coming—those Cooperesque red herrings again (but I missed the tequila donkey this time).

I fell in love with Kelsey and Brody in, Terror in Taffeta, and I’m pleased to get to know them better in this second of the series. Kelsey proves her integrity and again demonstrates her professionalism, but we also see her more vulnerable side. She needs her friends to help solve this murder. The three, Kelsey and her two sidekicks, Brody and Laurel are well characterized and create an agreeable synergy. Each personality is distinctly portrayed through their actions and the crisp, modern dialog. Kelsey’s and Brody’s banter reminds me of siblings or best friends, funny and familiar. Laurel is new to the scene, but she holds her own, proving her mettle through her trustworthiness, initiative and competence.

Dying on the Vine is a delicious late harvest Zinfandel boasting notes of humor and suspense, full-bodied character and a sweet finish. Marla Cooper and Kelsey McKenna don’t disappoint.

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Congratulations Marla Cooper! Dying on the Vine published yesterday and I’m already hankering for my next destination. Might it be Kelsey’s own dream wedding? Where will we cozy-up next?

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Lovers at the Alhambra, Generalife, Spain

P.S. Don’t you love Cooper’s book covers?! Read my review of  Terror in Taffeta here.

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Small Town Lies

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Texas Hill Country. Thanks to xtri.com

I was stymied when my niece moved her family to a small town in the Texas Hill Country some years ago. Why would anyone leave the Bay Area for a couple acres of scrub oak and a pickup truck in a town so small you’ve missed it if you yawn? Not that I have anything against small towns. I grew up in Ross so long ago it still retained a small town character. We knew everybody, and people looked out for each other. Eddie’s Ross Grocery and the Sunday social in the Rectory after church were rich in gossip. Officer Flowers kept the peace and investigated crimes—usually something to do with petty theft.

But still—my family has taken up residence in a small town several states away? I didn’t get it—that is, until I discovered Terry Shames’s delightful mystery series set in a small Texas town.

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Congratulations!

Shames won the Macavity Award for best first novel in 2013 for A Killing at Cotton Hill, the first Samuel Craddock mystery set in Jarrett Creek. She has since published The Last Death of Jack Harbin, Dead Broke in Jarrett Creek, A Deadly Affair at Bobtail Ridge, and The Necessary Murder of Nonie Blake, all chronicling the slow as molasses lifestyle and the dark secrets festering below the veneer of peacefulness of this sleepy town.

Shames’s fascination with the town where her grandfather was mayor and where she grew up is clear through her precise documentation of the details of small town life in Jarrett Creek. She’s created a cast of characters that could represent any small American town, yet are inextricably bound to Jarrett Creek, starting with the hero, Samuel Craddock. He’s an unpretentious widower, the town’s retired police chief, who has been called out of retirement after Jarrett Creek runs out of money. He’s old fashioned and gentlemanly, prefers the company of women and his cattle, and is at home sipping lemonade and eating berry-filled buns in his neighbor, Loretta’s, kitchen while she gossips about everyone in town. In fact, she’s a prime source of intelligence when Craddock is investigating a murder.

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It’s Loretta who has her finger on the pulse of the town when Nonie Blake returns to Jarrett Creek after a twenty-year stint in a private mental institution. She’d tried to hang her little sister when she was fourteen. Loretta declares, “She was a dangerous girl and she’ll be a dangerous woman.” Within a week, Nonie turns up dead in the Blake family’s stock pond and Chief Craddock finds few clues. One thing is certain, Nonie was murdered and her reclusive family remains tight-lipped about her, the committal, and why she had come home.

Samuel Craddock’s method of investigation is  from the old school. He’s stumped, and he’s saddled with a rookie cop, Maria Trevino, who comes with attitude and ideas about how police work should be done. Trevino wants to look for hard evidence using methods that make Craddock uncomfortable and worse, make him feel old. He begins to question himself and fears he’s losing his edge to age. It takes some detecting but the two (and a little dog) uncover the layers of lies and cover-ups that go back a generation to finally reveal why Nonie Blake’s murder was necessary.

I fell in love with Samuel Craddock and Jarrett Creek in A Killing at Cotton Hill and the feeling has persisted through five books.  It’s the authentic small-town vibe and the folksy dialog combined with Shames’s adept ability to plot a surprising and quirky murder investigation, coupled with her masterful characterization that makes the series shine. I feel like I’ve lived in Jarrett Creek—and now my darling (and only) niece and her brood (dogs included) live there.

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To read my entire review, please visit:

The Mystery Readers Journal, Volume 32, No. 34, Winter 2016-2017

And be sure to catch up with Terry Shames. Book 6 of the Samuel Craddock Series has just come out:

Excerpted from the Publishers Weekly:  New crime novels delve into policing’s sordid underbelly, merging classic genre themes with zeitgeisty plots By Jordan Foster, Nov 18, 2016 unsettling-crime-thumb

 

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